"Soli-Bach" is conceived as a long series of encounters revolving around the mystery of the performer, whether dancer or musician. The existential questioning that underlies this work provides a solid framework for imagining that in ten years' time, I'll still be searching for a new version that I'll never stop working on. Through the memory of dancers, I dream of one day being able to remember all the different paths taken and to be able to show it to the public as a long choreographic testimony to the Suites."
Régine Chopinot in the program for the São Paulo Art Museum Auditorium (October 1996)
Second version of the first program (suites 1-3-5) premiered November 15, 1994 at Rochefort, Théâtre de La Coupe d'Or and the complete version November 18-19, 1994 at Espace des arts de Chalon sur Saône
Choreography: Régine Chopinot and the performers of Ballet Atlantique
Cellist: Jérôme Pernoo
Lighting: Gérard Boucher
Documentary research: Michèle Pagnoux
Costumes: Jean Paul Gaultier Diffusion
Suite n°1 : choreography Régine Chopinot, performer Véronique Ros De La Grange
Suite n°2 : choreography and performer Georgette Louison Kala-Lobé
Suite n°3 : choreography Dimitri Chamblas, Marie-Françoise Garcia and Régine Chopinot, performer Dimitri Chamblas
Suite n°4 : choreography and performer Duke Wilburn
Suite n°5 : choreography Michèle Prélonge and Hiroko Kamimura, performer Michèle Prélonge
Suite n°6 : choreography and performer John Bateman
